Mohammad Fawad and his outstanding success in cinema…From Mohammad Khan’s movies to musicals

Many singers have always been successful in delivering more… Cinematic films It was a huge hit with audiences throughout the Arab world, especially during the Fine Art Era from the 1940s to the 1970s. With the emergence of a new generation of singers and a change in the quality of music and singing offered to the public, these new singers were eager to appear in cinema and participate in many films, the most prominent of them being artist Mohammad Fouad.

The artist produces Mohammed Fouad One of the most important and successful singers of his generation to participate in the cinema, he has given several cinema films that have been a great success, collaborating with the big names of the film industry as actors or directors, which we review for you today. To celebrate his birthday which falls today on 20th December.

From television drama to the cinema of Mohammad Khan

Following his success in singing in the eighties of the last century, at that time several albums were released that resonated with the audience due to the varied quality of his singing, artist Mohammed Fouad took part in the performance of his first artistic work. The series “Invitation to Life”, which brought him together with Mustafa Fahmi, Hani Ramsi, Hassan Hosni and many other artists, was shown in 1989.
Four years later, Mohammad Fouad enters the world of cinema by collaborating with director Mohammad Khan, one of the most important directors of realist cinema at the time, where they presented the film “A Very Hot Day”, shown in 1993. It was attended by major stars like Sherihan and Mahmoud Hamida, and thus marked the beginning of Mohamed Fouad’s strong career in cinema, which he maintained over the years.
In the same year, Mohamed Fouad collaborated with director Khairy Bishara on the film “America Shika Bika”, which discussed the issue of youth migration and included a large group led by artist Schweiger, Imad Rashad, Nahla Salama, Sami El Salama. Adl and Mohamed Lotfy and artist Mohamed Fouad collaborate again. In the 1996 film “Traffic Light” with director Khairy Bishara, there were many artists such as Laila Alavi, Ahmed Adam, Sami Al-Adl and Essad Abu Auf.
In the same year, 1996, the most important collaboration in the cinema of the artist Mohamed Fouad came with the great artist Zohair El-Babli through the film “The Heart and What It Loves”, which starred together with the artist Salah Kapil and Hassan Mustafa. .

See also: On his birthday… the video songs that shaped Mohammad Fuad’s stardom in the nineties

Through these cinematic experiences, artist Mohammad Fouad honed his skills and cinematic experience with great artists and directors, and then embarked on a new platform in cinema, which became a hit with audiences and made him one of the few singers to succeed in cinema.

Mohammed Fouad also acted in musical films

Following the success of Mohamed Fouad in the cinema, in the second half of the nineties he decided to offer cinema films, which were based on musical films and whose events took place within a romantic framework, and he started it in 1997. His film “Ismalia I Come”, which he co-produced with Mohamed Henedy, Hanan Turk and Khaled Al-Nabawi, is seen by many critics as the true beginning of the so-called youth cinema. New Millennium.

In 2001, Mohamed Fouad starred in the film “A Journey of Love” with the artist Ahmed Helmi, the events of which took place in a romantic setting and was the first cinematic work of the artist Mai Eez El-Din. , the cinematic form of cinematic heroism he took was very clear, very similar to The Nightingale films, brown Abdel Halim Hafiz, where the hero is a singer who lives a love story, next to him an artist presents. The comic template during the events of the film, it was repeated in the 2002 film “Who in A”, in which Mohammed Fouad went outside the framework of singing, but he did not leave the romantic color and acted together with Ahmed Adam. . He returned to his usual cinematic color in 2005 with his last film “Saffron Love” to present a comedy template with a different cinematic idea that did not meet the expected success. Opposite Ramez Jalal and Hala Shiha.

Who sees the life of the artist Mohammed Fouad He did not stop at achieving success only as an acting-trained singer, but his cinematic films discussed many social issues, especially in the nineties, making him one of the most important singers to make a mark in the Egyptian and Arab countries. Cinema.

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