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Fatima Al-Hashemi sings opera in abaya: My look is a message of pride in my Emirati identity

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Fatima Al-Hashemi sings opera in abaya: My look is a message of pride in my Emirati identity

Emirati opera singer Fatima Al Hashemi is proud of her identity as she appears in various theater performances wearing gowns with unique designs that highlight her heritage and proclaim her talent in fine arts.

Today, Fatima is improving her singing skills with knowledge and practice and she has represented the state in many events. She has also given productions in classical Arabic combining western and eastern rhythms. Rights in the first place.

In her interview with Emirates Today, Fatima said: “I represent my country in many diplomatic and cultural forums as I participated in the (Home to Theater) competition organized during the Corona pandemic, the last one being the festival. Mexico; I was with Sharjah’s delegation as the guest of honor at the Mexico International Book Fair and had a concert with a Mexican opera singer.

And he added: “What differentiates me in my music career is that I work on myself from the technical and administrative side. In the UAE, especially in the music industry.

Indescribable love

Regarding my recent performance at Dubai Opera in the National Youth Orchestra, Fatima said: “I love theaters in general and I prefer appearing and singing in them rather than presenting myself and my work to the media. Singing is my first language. My love for communication and theaters is indescribable.

What distinguishes operatic singing from other genres is that “the whole body must be used, not just the voice, it does not need a microphone, and the songs are not just words. The melody, but the story that the artist must present with his voice through proper acting, so it can be said to be a sung drama, and opera.” A singer should be proficient in acting and singing at the same time.

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He insists that he likes opera and classical music, but tries to combine East and West. Among the songs he produced with Berklee Abu Dhabi are two songs in classical Arabic, which feature Western instruments mixed with “waltz” rhythms and Oriental rhythms.

Regarding her relationship with languages, especially since opera is presented in several languages ​​including Russian, French and Italian, Fatima said she loves languages ​​and sings in French, but Italian is closer to her and she appreciates it. Multilingual, including Korean, Czech, Polish and Russian, she loves learning the pronunciation and meanings of words in her languages.

Carmen character

As for Fatima’s non-Emirati abaya on stage, the opera singer noted that she was trying to highlight her Emirati identity through the dress, insisting that she was sending a message no matter how different she was in the workplace. , it is possible for a person to do his job while protecting his identity.

During her last appearance at the Dubai Opera, she said she collaborated with Emirati designer Maryam Amira, sat down with her to study the character of the play’s heroine, Carmen, and chose to choose one of her songs. The details of the abaya are chosen to combine traditional and contemporary patterns.

Musicians Association

Fatima expressed her happiness at receiving a scholarship from Abu Dhabi’s Department of Tourism and Culture to Berkeley University, indicating that she is ready for her second master’s degree, which is in music business management. Musicians in the United Arab Emirates working solo will be useful in his future career, so you will help develop strategies for this sector, through study and employment, to facilitate future musicians, for example, licensing and production in the song industry, which is part of protecting intellectual property rights. He also emphasized that “artistic talent must be complemented by science. Excellence in any field must combine talent and knowledge.”

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He lauded the move to launch the Musicians Association in the Emirates, of which he is a founding member, noting that the country has associations in other cultural sectors apart from musicians, which has finally been achieved and given hope to musicians.

And the most important thing the association provides is “giving opportunities to bands in the Emirates to participate in events, which often seek the help of international artists, as we have many musicians in our country. For example, there is an Emirati female flutist who studied in Britain, and not many people know about her. ” So, the association will help all of them make a public appearance in the Emirates.

Support for new talent

Fatimah Al-Hashemi studied engineering, but she did not work in this field, she went into the music field and carries the message she wants to convey through her voice. Today, he is working on a master’s degree in Arts Business Management and seeks to invest this knowledge in music to support new talent through the Musicians Association he belongs to. He studied accordion at school and later switched to piano. He expressed his love for opera singer Maria Claus, not only for her individuality, but also insisted on singing despite the criticism she received.

Fatima Al Hashimi:

“Artism must be complemented by science. Excellence in any field must combine skill and knowledge.”

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Writing in “The Night’s Night” is Ahmed Balhamer’s compass

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Writing in “The Night’s Night” is Ahmed Balhamer’s compass

Poet Ahmed Balhamar (from source)

Friday 1 December 2023 / 18:58

Emirati poet Ahmed Umar Balhamar’s collection of poems “The Vase of the Night” was recently published by Nariman Publishing, Printing and Distribution House in Lebanon. The collection consists of 160 pages of medium size and 127 short and concise poems. Prose poetry.

Most of the poems have single-word titles, including Nostalgia, Dust, My Loss, Separation, My Friends, Division, Escape, Leak, Point, Measure, Exchange, Chaos, Rain, Burn, Shadow, Our Story, Limits, Days. , etc. But will not the reader find in the pages of the anthology a text entitled “The Night’s Vessel,” as other poets are accustomed?

Most of the poet’s texts are sensitive and emotional, reflecting his outlook on life, and they carry many meanings of the night, its sadness, vocabulary and atmosphere. The poet wrote on the cover of the book covered by the darkness of a dark night, so we read there:
I wrote it in the middle of the night and on the streets of memories
It’s like I’m there every step of the way
And in every word
I draw the way to my heart
So I walked with the poem in hand.
Here we see what writing represents to its poet, as poetry accompanies him on his journey as a faithful friend, leaning on his arm and strengthening him, being his compass on the paths of life.

Ahmed Umar Balhamar, who holds a bachelor’s degree in engineering and works in its field, says: “I started my journey by writing 10 years ago, and then wrote an occasional newspaper article titled “Broadcast” in Al-Anba, a Kuwaiti newspaper. After that, I wrote in the Egyptian newspaper “Rose Al-Youssef” in the same year. Around a period of time, I collected the articles and published them as a book titled “Getting to Know You” by Al-Raitiyya Publishing House. and distribution house in Saudi Arabia. The articles were varied but most of them social and discussed scenes that attracted me from the reality of life and its daily occurrences.
About the development of his literary talent, Balhamar confirmed to 24: “The process of human self-development begins and does not end, it continues and does not stop. From childhood, the passion for reading and the hunger for knowledge came together. With me, it is with me to this day.
He said about the most important writers who influenced him: “I read many authors and authors, and the names never attracted me, but rather, I was attracted by the strength of the written words, their sweetness and the degree of their difference. I’m not influenced by one author over another, all the books I’ve read have influenced me in one way or another, there’s no doubt about that.” I’ve influenced the minds of others who read me. Yes, the process is intimate. It’s possible for contagion to spread without us noticing.”
Ahmed Balhamar writes in classical and colloquial, and in response to the question of who is closest to his heart, how the genre of poetry determines the moment of inspiration, he added: “All literary genres are dear and close to me. My literary taste, but colloquial dialect is closer to the listeners because It is their spoken language, but as for inspiration, a strange creature meets a person without permission or acquaintance, surprises us at strange times and places. To be frank, I do not choose the form and symbolism of poetry when I write. Words are the master of will, they impose their presence and form on the white, They decide when to start and when to end.
Commenting on the tendency of many poets to write novels in the current era, and whether Balhamer would remain loyal to the poetic field, or consider writing fiction, he says, “Up to this moment I had no idea. Writing a work of fiction, but I don’t know if I will knock on this door in the future or continue. “Clinging to my old place and loyal only to poetry.”
Regarding the source of inspiration for his poems or essays, he said: “Ideas are born in the conscience of the writer, through his interaction with people and society, his daily activities with them and observation of what is happening in the world around him. “

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It is noteworthy that Ahmed Balhamar participated in many poetry evenings in the Emirates Writers and Authors Association and other cultural organizations, he regularly attends cultural events and events. In colloquialism, Napati Publishing House and some of his works were translated into the language.
In the collection of poems “Ana al-Layl” titled “Lost” we read:
you
Your shadow has not left you since the sunrise
Until the full moon and starry evening come
How lucky you are
My sun rose and set
And my shadow is still missing.

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Controversy over the “Napoleonic firing” of the Sphinx and the Pyramids of Giza

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Controversy over the “Napoleonic firing” of the Sphinx and the Pyramids of Giza

International director Ridley Scott’s American historical film “Napoleon”, which cost around $200 million, was a notable success in terms of audience and revenue, but it also provoked widespread criticism on historical and artistic levels. Indeed, particularly troop-launching scenes Napoleon Bonaparte shot at the Sphinx and the Pyramids of Giza during his campaign in 1798. The film, which is currently showing in American cinemas, presents the character of Napoleon Bonaparte in a new perspective. , she appears in him in two ways, one through his relationship with the army and his country France, and the other through his love for “Josephine”.

“There is no evidence that the French campaign led by Bonaparte fired his fire at the nose of the Sphinx,” said Salima Akram, professor at the American University in Cairo, and continued, “He certainly did not fire at the pyramids. We know that he did not hold the Sphinx and the pyramids in high esteem and took advantage of their presence. “

Egyptian critic Tarek El-Shenawy said, “There have been criticisms of historical errors, including the Battle of the Pyramids in Egypt, but Ridley Scott presents a visual perspective, not a historical one, and said the phrase is dynamic. Rich material for dialogue and controversy, the director’s freedom to add or remove facts.” dealing with.” His visual vision has been documented in history.

For his part, Scott responded to these criticisms by saying, “I don’t know whether Napoleon Bonaparte did it or not, but to me it was a quick way of saying that this is how Egypt was controlled at the time.”

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Historian Michael Bowers said: “There are events that Scott has to move quickly, and events that diverge from reality with the aim of making it easier for the audience to follow them, and to clearly understand the filming of the pyramids. In this context, nothing of the sort actually happened during the French campaign.” 1798 in Egypt, but it’s interesting to have these kinds of scenes in the film.”

When discussing doing so with director Scott, he said, “When you said we’d shoot in front of the pyramids, you laughed, didn’t you?” said. “So it will be.”

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“Bee Sting”: Family Stories and Secrets in Dramatic Novel Form

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“Bee Sting”: Family Stories and Secrets in Dramatic Novel Form

The novel “Bee Sting” written by Irish novelist Paul Murray, involves a family drama that is narrated from multiple angles to a family of four struggling in the midst of financial and existential crisis. Throughout its 656 pages, the mysteries, secrets and self-deception experienced by its members are revealed one after the other.

Unstable service

The novel was shortlisted for the 2023 Booker Prize, and has been described as “hilarious, heartbreaking, epic and brutally honest”. The award website summarized the following: “An icy road, a charming stranger and a bee stuck in the bride’s veil. Can a moment of misfortune change the course of life? “

events

The events of the novel take place in a town in contemporary Ireland where we learn about the Barnes family who are in financial trouble. Father Dickie flees to the woods after the collapse of his lucrative car business in 2008, where he works long hours on a shelter project to predict the end of the world, while his exasperated wife, Imelda, sells their wares on eBay. Their daughter Cass, first in her class, is apathetic and fears for her future. Their 12-year-old son BJ, who is in debt He plans to run away. We see each person’s life through the eyes of each person during the worsening environmental disaster, paralleled by floods, droughts and the collapse of the family, the parents continuing to deny their previous lives, and the loss and turmoil of both of them. Teenage children.

Hon

Quoting novelist William Faulkner, Murray said in an interview that “the past never dies,” but preferred to write about the present with all its horrors, including climate change.

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The author draws the novel’s characters as life-like, they have moments of love and generosity despite their faults and problems, and tracks their transformation by using a cyclical method of telling stories in each person’s tongue, as change appears. Some of them are funny, others are sad. The novel initially introduces us to wife Imelda’s sharp temper and materialistic tendencies, and as she lifts the curtain on her life, her marital circumstances, and the difficulties of her childhood, it appears to be the self-delusion she experiences. Purely human nature. In this way, the writer enters the characters’ worlds to bring them to life with a new perspective.

curiosity

What drew critics to the novel was its interest in teenage life and friendship and family relationships, father-son relationships, sibling rivalry, tragedy, self-destruction and denial, as well as the subjectivity of misguiding people. , all on par with the creativity of Funny Moments. The British newspaper “The Daily Telegraph” described the novel as “a brilliant work of fiction, sharp in mind and keen in thought, but big in heart”.

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